Twelve people. A quest like no other. Where people from all walks of life join together to feast on the laughs they create.
A main course of N.I.T.W.I.T.S. served with as many side dishes as they can pack in two hours!
The Hungry Games: May the jokes be ever in your flavor!
Twelve people. A quest like no other. Where people from all walks of life join together to feast on the laughs they create.
A main course of N.I.T.W.I.T.S. served with as many side dishes as they can pack in two hours!
The Hungry Games: May the jokes be ever in your flavor!
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
By Philip Grecian. Based on the motion picture A Christmas Story, © 1983 Turner Entertainment Co., distributed by Warner Bros., written by Jean Shepherd, Leigh Brown, and Bob Clark; and on the book In God We Trust, All Others Pay Cash by Jean Shepherd.
Humorist Jean Shepherd's memoir of growing up in the Midwest in the 1940s follows 9-year-old Ralphie Parker in his quest to get a genuine Red Ryder BB gun under the tree for Christmas. Ralphie pleads his case before his mother, his teacher, and even Santa Claus himself at Higbee's Department Store. The consistent response: "You'll shoot your eye out!" All the elements from the beloved motion picture are here, including the family's temperamental exploding furnace; Scut Farkas, the school bully; the boys' experiment with a wet tongue on a cold lamppost; the Little Orphan Annie decoder pin; Ralphie's father winning a lamp shaped like a woman's leg in a net stocking; Ralphie's fantasy scenarios and more. A Christmas Story is destined to become a theatrical holiday perennial.
Want to see the improviest improv to ever improv?
Come help us build a night of laughs by choosing what games our players will perform for you. That’s right, we won’t even know what games we are going to play!
You, the audience, will choose what type of game and we will find out together! Guessing games? Maybe! Musical games? It could happen! One liners? If that’s what y’all want!
Come enjoy a fast-paced night of improv in its purest form!
Want to see the improviest improv to ever improv?
Come help us build a night of laughs by choosing what games our players will perform for you. That’s right, we won’t even know what games we are going to play!
You, the audience, will choose what type of game and we will find out together! Guessing games? Maybe! Musical games? It could happen! One liners? If that’s what y’all want!
Come enjoy a fast-paced night of improv in its purest form!
By Topher Payne
It’s 1950, and new colors are being added to the Red Scare. Two U.S. State Department employees, Bob and Norma, have been tasked with identifying sexual deviants within their ranks. There’s just one problem: Both Bob and Norma are gay, and have married each other’s partners as a carefully constructed cover. Inspired by the true story of the earliest stirrings of the American gay rights movement, madcap classic sitcom-style laughs give way to provocative drama as two “All-American” couples are forced to stare down the closet door.
By Topher Payne
It’s 1950, and new colors are being added to the Red Scare. Two U.S. State Department employees, Bob and Norma, have been tasked with identifying sexual deviants within their ranks. There’s just one problem: Both Bob and Norma are gay, and have married each other’s partners as a carefully constructed cover. Inspired by the true story of the earliest stirrings of the American gay rights movement, madcap classic sitcom-style laughs give way to provocative drama as two “All-American” couples are forced to stare down the closet door.
By Topher Payne
It’s 1950, and new colors are being added to the Red Scare. Two U.S. State Department employees, Bob and Norma, have been tasked with identifying sexual deviants within their ranks. There’s just one problem: Both Bob and Norma are gay, and have married each other’s partners as a carefully constructed cover. Inspired by the true story of the earliest stirrings of the American gay rights movement, madcap classic sitcom-style laughs give way to provocative drama as two “All-American” couples are forced to stare down the closet door.
By Topher Payne
It’s 1950, and new colors are being added to the Red Scare. Two U.S. State Department employees, Bob and Norma, have been tasked with identifying sexual deviants within their ranks. There’s just one problem: Both Bob and Norma are gay, and have married each other’s partners as a carefully constructed cover. Inspired by the true story of the earliest stirrings of the American gay rights movement, madcap classic sitcom-style laughs give way to provocative drama as two “All-American” couples are forced to stare down the closet door.
By Topher Payne
It’s 1950, and new colors are being added to the Red Scare. Two U.S. State Department employees, Bob and Norma, have been tasked with identifying sexual deviants within their ranks. There’s just one problem: Both Bob and Norma are gay, and have married each other’s partners as a carefully constructed cover. Inspired by the true story of the earliest stirrings of the American gay rights movement, madcap classic sitcom-style laughs give way to provocative drama as two “All-American” couples are forced to stare down the closet door.
By Topher Payne
It’s 1950, and new colors are being added to the Red Scare. Two U.S. State Department employees, Bob and Norma, have been tasked with identifying sexual deviants within their ranks. There’s just one problem: Both Bob and Norma are gay, and have married each other’s partners as a carefully constructed cover. Inspired by the true story of the earliest stirrings of the American gay rights movement, madcap classic sitcom-style laughs give way to provocative drama as two “All-American” couples are forced to stare down the closet door.
By Topher Payne
It’s 1950, and new colors are being added to the Red Scare. Two U.S. State Department employees, Bob and Norma, have been tasked with identifying sexual deviants within their ranks. There’s just one problem: Both Bob and Norma are gay, and have married each other’s partners as a carefully constructed cover. Inspired by the true story of the earliest stirrings of the American gay rights movement, madcap classic sitcom-style laughs give way to provocative drama as two “All-American” couples are forced to stare down the closet door.
By Topher Payne
It’s 1950, and new colors are being added to the Red Scare. Two U.S. State Department employees, Bob and Norma, have been tasked with identifying sexual deviants within their ranks. There’s just one problem: Both Bob and Norma are gay, and have married each other’s partners as a carefully constructed cover. Inspired by the true story of the earliest stirrings of the American gay rights movement, madcap classic sitcom-style laughs give way to provocative drama as two “All-American” couples are forced to stare down the closet door.
Three teams face off against each other in battles of wit, cunning, and acting prowess hoping to gain the audience’s favor to avoid elimination.
Not only must the players survive each other, but they must also survive the twists and turns that will… “fourth” them to adapt to some wacky situations!
Twelve start, but only one will stand victorious in N.I.T.W.I.T.S. Survival Island!
Three teams face off against each other in battles of wit, cunning, and acting prowess hoping to gain the audience’s favor to avoid elimination.
Not only must the players survive each other, but they must also survive the twists and turns that will… “fourth” them to adapt to some wacky situations!
Twelve start, but only one will stand victorious in N.I.T.W.I.T.S. Survival Island!
by Ken Ludwig
Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world-famous singer Tito Merelli, known as Il Stupendo, the greatest tenor of his generation, to appear for one night only as the star of the opera. Tito arrives late, and through a hilarious series of mishaps, he is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he’s dead - and in a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli's costume and fool the audience into thinking he's Il Stupendo. Max succeeds and lives up to his idol, but Merelli regains consciousness and gets into the identical costume, ready to perform. Now two opera singers are running around in the same costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter.
by Ken Ludwig
Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world-famous singer Tito Merelli, known as Il Stupendo, the greatest tenor of his generation, to appear for one night only as the star of the opera. Tito arrives late, and through a hilarious series of mishaps, he is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he’s dead - and in a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli's costume and fool the audience into thinking he's Il Stupendo. Max succeeds and lives up to his idol, but Merelli regains consciousness and gets into the identical costume, ready to perform. Now two opera singers are running around in the same costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter.
by Ken Ludwig
Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world-famous singer Tito Merelli, known as Il Stupendo, the greatest tenor of his generation, to appear for one night only as the star of the opera. Tito arrives late, and through a hilarious series of mishaps, he is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he’s dead - and in a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli's costume and fool the audience into thinking he's Il Stupendo. Max succeeds and lives up to his idol, but Merelli regains consciousness and gets into the identical costume, ready to perform. Now two opera singers are running around in the same costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter.
by Ken Ludwig
Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world-famous singer Tito Merelli, known as Il Stupendo, the greatest tenor of his generation, to appear for one night only as the star of the opera. Tito arrives late, and through a hilarious series of mishaps, he is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he’s dead - and in a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli's costume and fool the audience into thinking he's Il Stupendo. Max succeeds and lives up to his idol, but Merelli regains consciousness and gets into the identical costume, ready to perform. Now two opera singers are running around in the same costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter.
by Ken Ludwig
Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world-famous singer Tito Merelli, known as Il Stupendo, the greatest tenor of his generation, to appear for one night only as the star of the opera. Tito arrives late, and through a hilarious series of mishaps, he is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he’s dead - and in a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli's costume and fool the audience into thinking he's Il Stupendo. Max succeeds and lives up to his idol, but Merelli regains consciousness and gets into the identical costume, ready to perform. Now two opera singers are running around in the same costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter.
by Ken Ludwig
Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world-famous singer Tito Merelli, known as Il Stupendo, the greatest tenor of his generation, to appear for one night only as the star of the opera. Tito arrives late, and through a hilarious series of mishaps, he is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he’s dead - and in a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli's costume and fool the audience into thinking he's Il Stupendo. Max succeeds and lives up to his idol, but Merelli regains consciousness and gets into the identical costume, ready to perform. Now two opera singers are running around in the same costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter.
by Ken Ludwig
Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world-famous singer Tito Merelli, known as Il Stupendo, the greatest tenor of his generation, to appear for one night only as the star of the opera. Tito arrives late, and through a hilarious series of mishaps, he is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he’s dead - and in a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli's costume and fool the audience into thinking he's Il Stupendo. Max succeeds and lives up to his idol, but Merelli regains consciousness and gets into the identical costume, ready to perform. Now two opera singers are running around in the same costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter.
by Ken Ludwig
Winner of 3 Tony Awards and 4 Drama Desk Awards, Lend Me A Tenor is set in September 1934. Saunders, the general manager of the Cleveland Grand Opera Company, is primed to welcome world-famous singer Tito Merelli, known as Il Stupendo, the greatest tenor of his generation, to appear for one night only as the star of the opera. Tito arrives late, and through a hilarious series of mishaps, he is given a double dose of tranquilizers and passes out. His pulse is so low that Saunders and his assistant Max believe he’s dead - and in a frantic attempt to salvage the evening, Saunders persuades Max to get into Merelli's costume and fool the audience into thinking he's Il Stupendo. Max succeeds and lives up to his idol, but Merelli regains consciousness and gets into the identical costume, ready to perform. Now two opera singers are running around in the same costume and two women are running around in lingerie, each thinking she is with Il Stupendo. A sensation on Broadway and in London's West End, this madcap, screwball comedy is guaranteed to leave audiences teary-eyed with laughter.
Not everybody can be a singing sensation, but they sure can try on N.I.T.W.I.T.S.: Idol!
Follow a ragtag group of improv players as they try to win the hearts and laughter of the infamous judges.
Will they take home the coveted N.I.T.W.I.T.S.: Idol statuette? Will their songs go viral over social media? Will they be ridiculed and scorned?
The competition will certainly be interesting, if not fierce, on the best singing show you’ve never seen before, N.I.T.W.I.T.S.: Idol!
Not everybody can be a singing sensation, but they sure can try on N.I.T.W.I.T.S.: Idol!
Follow a ragtag group of improv players as they try to win the hearts and laughter of the infamous judges.
Will they take home the coveted N.I.T.W.I.T.S.: Idol statuette? Will their songs go viral over social media? Will they be ridiculed and scorned?
The competition will certainly be interesting, if not fierce, on the best singing show you’ve never seen before, N.I.T.W.I.T.S.: Idol!
by Ivan Menchell
Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet-tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart.
by Ivan Menchell
Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet-tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart.
by Ivan Menchell
Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet-tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart.
by Ivan Menchell
Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet-tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart.
by Ivan Menchell
Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet-tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart.
by Ivan Menchell
Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet-tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart.
by Ivan Menchell
Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet-tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart.
by Ivan Menchell
Three Jewish widows meet once a month for tea before going to visit their husbands’ graves. Ida is sweet-tempered and ready to begin a new life; Lucille is a feisty embodiment of the girl who just wants to have fun; and Doris is priggish and judgmental, particularly when Sam the butcher enters the scene. He meets the widows while visiting his wife’s grave. Doris and Lucille squash the budding romance between Sam and Ida. They are guilt-stricken when this nearly breaks Ida’s heart.
Join us for Newnan Theatre Company’s second ever night of original sketch comedy!
Buckle up as your favorite local stooges take on pop culture and current events in a fashion totally befitting a bunch of N.I.T.W.I.T.S.
Join us for Newnan Theatre Company’s second ever night of original sketch comedy!
Buckle up as your favorite local stooges take on pop culture and current events in a fashion totally befitting a bunch of N.I.T.W.I.T.S.
“Be careful what you wish for” seems to be the ongoing theme in Stephen Sondheim and James Lapine’s Brothers Grimm-inspired musical, Into the Woods. The story follows The Baker and his wife who wish to have a child, Cinderella who wishes to go to the King’s Festival, and Jack who wishes his cow would give some milk. When the Baker and his wife are visited by the Witch from next door, who reveals to them that she placed a curse on their family, the two set off on a journey “into the woods'' to reverse the curse. There, we meet Little Red Riding Hood, on her way to visit her grandmother, the Wolf who loves tasty little girls, the Witch’s daughter Rapunzel, and two lovelorn Princes. By the end, everyone has gotten their wish and will seemingly live happily ever after.
Location: Wadsworth Auditorium, downtown Newnan
Show Times:
November 8 | 7:30 pm
November 9 | 7:30 pm
November 10 | 3:30 pm
“Be careful what you wish for” seems to be the ongoing theme in Stephen Sondheim and James Lapine’s Brothers Grimm-inspired musical, Into the Woods. The story follows The Baker and his wife who wish to have a child, Cinderella who wishes to go to the King’s Festival, and Jack who wishes his cow would give some milk. When the Baker and his wife are visited by the Witch from next door, who reveals to them that she placed a curse on their family, the two set off on a journey “into the woods'' to reverse the curse. There, we meet Little Red Riding Hood, on her way to visit her grandmother, the Wolf who loves tasty little girls, the Witch’s daughter Rapunzel, and two lovelorn Princes. By the end, everyone has gotten their wish and will seemingly live happily ever after.
Location: Wadsworth Auditorium, downtown Newnan
Show Times:
November 8 | 7:30 pm
November 9 | 7:30 pm
November 10 | 3:30 pm
“Be careful what you wish for” seems to be the ongoing theme in Stephen Sondheim and James Lapine’s Brothers Grimm-inspired musical, Into the Woods. The story follows The Baker and his wife who wish to have a child, Cinderella who wishes to go to the King’s Festival, and Jack who wishes his cow would give some milk. When the Baker and his wife are visited by the Witch from next door, who reveals to them that she placed a curse on their family, the two set off on a journey “into the woods'' to reverse the curse. There, we meet Little Red Riding Hood, on her way to visit her grandmother, the Wolf who loves tasty little girls, the Witch’s daughter Rapunzel, and two lovelorn Princes. By the end, everyone has gotten their wish and will seemingly live happily ever after.
Location: Wadsworth Auditorium, downtown Newnan
Show Times:
November 8 | 7:30 pm
November 9 | 7:30 pm
November 10 | 3:30 pm
Newnan Theatre Company is pleased to announce auditions for Perfect Arrangement, by Topher Payne on Sunday and Monday, November 3 and 4 at 7 pm both nights. The production will be directed by Craig Jones.
Newnan Theatre Company is pleased to announce auditions for Perfect Arrangement, by Topher Payne on Sunday and Monday, November 3 and 4 at 7 pm both nights. The production will be directed by Craig Jones.
Wowee wow wow! Junie B. Jones, America’s favorite elementary school student, comes to life on stage in this adaptation of three books in Barbara Park’s popular book series of the same name. Clad with purple glasses and all, Junie B., along with her classmates, parents, and teachers, sings and dances her way through the first grade, and while chronicling her adventures in her “top secret personal beeswax” journal, she learns the importance of facing obstacles head-on and turning bad situations into good ones. Junie B. Jones: The Musical Jr is fun for the entire family and highlights the timeless themes of friendship, acceptance, and humility.
Show Times:
November 2 | 3:30 pm
November 2 | 7:30 pm
November 3 | 7:30 pm
Wowee wow wow! Junie B. Jones, America’s favorite elementary school student, comes to life on stage in this adaptation of three books in Barbara Park’s popular book series of the same name. Clad with purple glasses and all, Junie B., along with her classmates, parents, and teachers, sings and dances her way through the first grade, and while chronicling her adventures in her “top secret personal beeswax” journal, she learns the importance of facing obstacles head-on and turning bad situations into good ones. Junie B. Jones: The Musical Jr is fun for the entire family and highlights the timeless themes of friendship, acceptance, and humility.
Show Times:
November 2 | 3:30 pm
November 2 | 7:30 pm
November 3 | 7:30 pm
Wowee wow wow! Junie B. Jones, America’s favorite elementary school student, comes to life on stage in this adaptation of three books in Barbara Park’s popular book series of the same name. Clad with purple glasses and all, Junie B., along with her classmates, parents, and teachers, sings and dances her way through the first grade, and while chronicling her adventures in her “top secret personal beeswax” journal, she learns the importance of facing obstacles head-on and turning bad situations into good ones. Junie B. Jones: The Musical Jr is fun for the entire family and highlights the timeless themes of friendship, acceptance, and humility.
Show Times:
November 2 | 3:30 pm
November 2 | 7:30 pm
November 3 | 7:30 pm
by Frederick Knott
A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.
by Frederick Knott
A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.
by Frederick Knott
A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.
by Frederick Knott
A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.
by Frederick Knott
A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.
by Frederick Knott
A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.
by Frederick Knott
A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.
by Frederick Knott
A sinister con man, Roat, and two ex-convicts, Mike and Carlino, are about to meet their match. They have traced the location of a mysterious doll, which they are much interested in, to the Greenwich Village apartment of Sam Hendrix and his blind wife, Susy. Sam had apparently been persuaded by a strange woman to transport the doll across the Canadian border, not knowing that sewn inside were several grams of heroin. When the woman is murdered the situation becomes more urgent. The con man and his ex-convicts, through a cleverly constructed deception, convince Susy that the police have implicated Sam in the woman’s murder, and the doll, which she believes is the key to his innocence, is evidence. She refuses to reveal its location, and with the help of a young neighbor, figures out she is the victim of a bizarre charade. But when Roat kills his associates, a deadly game of cat and mouse ensues between the two. Susy knows the only way to play fair is by her rules, so when darkness falls she turns off all the lights leaving both of them to maneuver in the dark until the game ends.
Trick or treat … Naughty or nice?
Add in the N.I.T.W.I.T.S. for some sugar and spice! Watch as we go ‘round and knock on a bunch of doors. Who will be behind? I guarantee laughs and your asking for more!
Wear your best costume to join in the fun! You’ll leave with a smile from your laughs by the ton!
Trick or treat … Naughty or nice?
Add in the N.I.T.W.I.T.S. for some sugar and spice! Watch as we go ‘round and knock on a bunch of doors. Who will be behind? I guarantee laughs and your asking for more!
Wear your best costume to join in the fun! You’ll leave with a smile from your laughs by the ton!
by Steven Dietz
At an abandoned motel on a desolate American road, a mother meets with a cult deprogrammer, believing she will be reunited with her runaway daughter. What happens instead – in this smart, harrowing, edge-of-your-seat thriller – is something that will shock her to her core. What will a mother do to get her daughter back? Whatever it takes.
by Steven Dietz
At an abandoned motel on a desolate American road, a mother meets with a cult deprogrammer, believing she will be reunited with her runaway daughter. What happens instead – in this smart, harrowing, edge-of-your-seat thriller – is something that will shock her to her core. What will a mother do to get her daughter back? Whatever it takes.
by Steven Dietz
At an abandoned motel on a desolate American road, a mother meets with a cult deprogrammer, believing she will be reunited with her runaway daughter. What happens instead – in this smart, harrowing, edge-of-your-seat thriller – is something that will shock her to her core. What will a mother do to get her daughter back? Whatever it takes.
by Steven Dietz
At an abandoned motel on a desolate American road, a mother meets with a cult deprogrammer, believing she will be reunited with her runaway daughter. What happens instead – in this smart, harrowing, edge-of-your-seat thriller – is something that will shock her to her core. What will a mother do to get her daughter back? Whatever it takes.
by Steven Dietz
At an abandoned motel on a desolate American road, a mother meets with a cult deprogrammer, believing she will be reunited with her runaway daughter. What happens instead – in this smart, harrowing, edge-of-your-seat thriller – is something that will shock her to her core. What will a mother do to get her daughter back? Whatever it takes.
by Steven Dietz
At an abandoned motel on a desolate American road, a mother meets with a cult deprogrammer, believing she will be reunited with her runaway daughter. What happens instead – in this smart, harrowing, edge-of-your-seat thriller – is something that will shock her to her core. What will a mother do to get her daughter back? Whatever it takes.
by Steven Dietz
At an abandoned motel on a desolate American road, a mother meets with a cult deprogrammer, believing she will be reunited with her runaway daughter. What happens instead – in this smart, harrowing, edge-of-your-seat thriller – is something that will shock her to her core. What will a mother do to get her daughter back? Whatever it takes.
by Steven Dietz
At an abandoned motel on a desolate American road, a mother meets with a cult deprogrammer, believing she will be reunited with her runaway daughter. What happens instead – in this smart, harrowing, edge-of-your-seat thriller – is something that will shock her to her core. What will a mother do to get her daughter back? Whatever it takes.
Newnan Theatre Company is pleased to announce auditions for the classic Christmas tale, A Christmas Story, by Philip Grecian on Sunday and Monday, September 8 and 9 at 7pm at Newnan Theatre Company. Newnan Theatre Company’s executive director, Mary Caroline Moore, is directing this show.
Newnan Theatre Company is pleased to announce auditions for the classic Christmas tale, A Christmas Story, by Philip Grecian on Sunday and Monday, September 8 and 9 at 7pm at Newnan Theatre Company. Newnan Theatre Company’s executive director, Mary Caroline Moore, is directing this show.
N.I.T.W.I.T.S.: Kingdom of Hilarity
September 6 and 7, 2024
A Jester must pester till the funny bones tickle, and sometimes in the process they end up in a pickle.
They must be an artist and remain a dunce. They’ll juggle fifteen objects and then drop them all at once!
We’ll have to choose a monarch… an audience member will do!
They’ll wear a crown and pretty gown and laugh until they’re blue!
Come see a show with two Court Jesters, some Peasants, and a King.
And if they fail to make him laugh, their necks he’ll surely wring.
Don’t be a fool by missing out on this strange and rare opportunity.
Just join jaunty Jesters jargoning jokes in the Kingdom of Hilarity!
N.I.T.W.I.T.S.: Kingdom of Hilarity
September 6 and 7, 2024
A Jester must pester till the funny bones tickle, and sometimes in the process they end up in a pickle.
They must be an artist and remain a dunce. They’ll juggle fifteen objects and then drop them all at once!
We’ll have to choose a monarch… an audience member will do!
They’ll wear a crown and pretty gown and laugh until they’re blue!
Come see a show with two Court Jesters, some Peasants, and a King.
And if they fail to make him laugh, their necks he’ll surely wring.
Don’t be a fool by missing out on this strange and rare opportunity.
Just join jaunty Jesters jargoning jokes in the Kingdom of Hilarity!
